Colveyco Newsletter

From The CEO

THE CREATIVITY OF ETERNAL YOUTH SPRINGS FORTH ABUNDANTLY THROUGH EVERY TRANSFORMING GENERATION OF 'HUMAN BEINGS' LIVING TO DIE TO LIVE DURING THE 'HUMAN' EVOLUTION AS GENERATION'S CONTINUOUS SOJOURN UPON PLANET EARTH ARE EXPERIENCED FOR ALL TIMES. WE 'ARTISTS' HAVE DISCOVERED THAT THE DYNAMICS OF LIFE'S CREATIVE ENERGY WHEN ALLOWED TO BE EXPRESSED, WITHOUT ATTACHMENT TO OPINIONS, INTERPRETATIONS, PERCEPTIONS, CRITICISMS, JUDGMENTS, ETC., BRINGS FREEDOM OF SPIRIT! WE 'HUMAN BEINGS' TRAVEL ALL OVER THE WORLD PARTAKING IN ARTISTIC ENDEAVORS WHERE THE 'ARTISTS' GATHER TO EXPLORE FURTHER POSSIBILITIES OF HEIGHTENED CREATIVE EXPRESSIONS MOTIVATED BY REALITIES OF LIFE'S UNFOLDMENT. THE FOREVER GROWING ROOSTER OF THE DEAD IS PROOF OF THE INEVITABILITY THAT LIFE IS ENERGY HERE AND NOW, AND NOW IS HERE, IN ALL FORMS OF NEWS, THAT'S HEARD AND/OR SEEN IN THIS WORLD OF ILLUSION WHICH ARE ETHEREAL, MOMENTARY AND TRANSIENT.

GALLERY REVIEW

THE ATHENIAN GALLERY OF ANCIENT TIMES

Oriental Man with Pipe

Review Paintings: Nikolaos Gysis
(1842-1901)

THE NATIONAL GALLERY-ALEXANDROS SOUTZOS MUSEUM
Athens, Greece

This too is passing here and now as all things must in the conscious awakening of 'HUMAN' experiences during 'The Evolutionary Expressionism of Life Energy' as was seen when last visiting the visible ancestral ruins of the Athenian providence in the Greek region upon planet earth, as well as, 'THE NATIONAL GALLERY; ALEXANDROS SOUTZOS MUSEUM'S FOUR CENTURIES OF GREEK PAINTING. Many generations of 'HUMAN BEINGS' have evolved prefiguratively in search of an opportunity to rebuild civilization's colossal structures in preservation and commemoration of artistic expressions of life's energy. In truth there aren't any ruins because all things from their conceptualization are impermenant. Life is living life as demonstrated in the magnificent renditions of creative images pouring forth from the catacombs of museum temples around the world.

Still Life

The aforementioned facility is one such place which exudes a triumphant celebration of artistic endeavors manifested by 'ARTISTS' resounding the pulses of life from the soulful rejuvenation of 'HUMAN' existence. We sojourn through 'The Evolutionary Expressionism of Life Energy' without any attachments to it's illusions of reality, exploring and discovering 'ARTISTS' around the globe as incredible survivors of surviving all manner of occurrences naturally emerging century upon century which alter, change and evolve into creative strength and fortitude for the 'HUMAN BEING' as demonstrated through the artistry of the Greek 'ARTIST'S' contributions for the whole of 'HUMANITY'. We are the love among the ruins inspired by impermenance.

Artemis Gyzi

The 'ARTISTS' observes and captures the essence of 'HUMAN' conditioning in their work for the exemplification of duality's integration point into the one universal unfoldment of 'ALL THAT IS' manifesting artistically. The emphasis in their 'ARTWORKS' show the processes of the living imagination at play regardless of what happens to the whole species throughout time's timelessness. "Life is an art. Life with its creating power, depending for man on the self-yielding of activity and thought, is an endless interplay. And at this moment when we are urged so constantly to look at facts, the objective situation, the concrete circumstance, the actual event, it is especially necessary that we learn how to connect the perceptual planes, how to let every fact contribute to those principles which by use again in the factual world become again transformed and thus man grows always through his activity. - M. P. Follett, 'Creative Experience'.

After the Destruction of Psara

The artistic objective is to continuously rise above the maintenance of mediocre works of art to an exhilarating, invigorating and magical inspiration to the mind, body and soul of 'HUMANITY' at large, by producing extraordinary, original and authentic 'ARTWORKS'. We have found that the modern day civilization of Athens Greece is another aspect of multitudinous examples of transformative places, creatures and things where 'HUMAN BEINGS' inhabit space temporally to experience the processes of living dying life living on this planet. The Greek 'ARTISTS', like all 'ARTISTS,' captivate and display the magnificence of their direct/indirect experiences creating 'ARTWORKS' throughout recorded history for those who will follow to partake, explore and enjoy 'HUMAN' evolution.

Behold The Bridegroom Cometh

We tend to acknowledge a great deal of things about many things except how to pierce through the illusory veil covering-up the universal mind's clarity regarding the essential requirements for 'HUMAN' growth and development beyond the status quo. All 'ARTWORKS' are temporal. They are the eternal glimpses of the unknown reality revealed into the known experiences of the unknown which is innately known by all living creatures. The timeless essence is the gateway to the ancient past future conceptualization about things so easily done, then said by the 'ARTISTS'.

Kou Kou

Kou Kou

The National Gallery 100 years preface states: "Age-old but not aged, the National Gallery has commenced its journey into the new century and new millennium with dynamism and youthful vitality. Rejuvenated, with interior spaces distinguished for their spare aesthetics and supported on a near-perfect museological infrastructure, it is presenting its permanent collections in a new configuration, after the execution of the necessary renovating works designed by Professor Panos Tzonaos and his worthy colleagues, Sonia Charalambides, George Parmenidis and christine Longuèpèe. The National Gallery was founded in 1900, its first director being the painter Georgios Iakovidis, director of the School of Arts, and the first nucleus of its collections the paintings that had been donated to the National Technical University for educational purposes.

The Fortune Teller

Today, the National Gallery has approximately 10,000 works in its collections, starting with Domenicos Theotokopoulos (El Greco) and the Cretan School of post-Byzantine art, embracing the School of the Ionian Islands as well, but the painting, sculpture and engraving of modern greek art from Independence to the present making up the lion's share of it's collections. The National Gallery also plays host to the renowned Euripidis Koutlidis Collection. After an agreement recently reached between the two foundations, the paintings in the Koutlidis Collection will be exhibited along with the works of the National Gallery, while in honor of the collector, the rooms dedicated to the 19th century will bear his name.

The Barber

'...the permanent collections is intended to furnish the visitor with a systematic tool, which will allow him or her to navigate through four centuries of Greek art in an educational and pleasant manner, following the states of its development and the historical circumstances under which it came into being. It is precisely these historical circumstances that prevented Greek art from experiencing the smooth organic development to be observed in the other European states. The history of modern Greek art was born and come to maturity along with the modern Greek state, after the War of Independence. The only artistic traditions that were kept alive throughout the centuries-long Turkish occupation, that is post-Byzantine religious painting and folk art, were not able to constitute the starting point for the creation of a new national school of official art.

Middle Easterner With Fruit

Greek artists would seek their precepts in advanced European states and foreign schools, while a School of Arts had already been founded in Greece by December 1836. In the beginning, precepts were received from many countries (Italy, France, Germany). Then because of Bavarian domination and King Othon, there was a turn toward Munich, which would almost exclusively dominate 19th century Greek painting. Nevertheless, a number of painters also trained in other countries, but they were not able to free Greek art from its academicism, due primarily to the horizon of expectation of a public lacking adequate aesthetic education."

Flowers

Flowers

Much can be said and written but the most important expression is what is seen and experienced as a direct interconnection with the eternal soul of the 'ARTISTS' through which the infinite manifestations of 'ARTWORKS'spring forth! We are so enthusiastic about the selected 'ARTWORKS' shown and shared here and now for the enjoyment of knowing we are fantastic creators.

The Slavemarket

The Slave Market

When does an 'ARTIST' truly become recognized and included in the civilization of which one is in service by doing one's craft? When does an 'ARTIST' start making a living as a 'ARTIST'? Well, the 'ARTIST', has always made a living as an 'ARTIST' because that is what an 'ARTIST' is doing when creating (paintings, drawings, sculptures, etc.). The 'ARTISTS' may not have always been compensated for producing 'ARTWORKS' of grave value for the whole of 'HUMANITY', but none the less, a painter is a painter, like any other professional who is a professional at what they DO masterfully! - and the 'ARTISTS' of all times are professionals of the untmost highest! We see this very clearly in the Grecian 'ARTWORKS' exhibited on the walls of 'THE NATIONAL GALLERY' in Athens Greece.

Links:
Greece Museums Guide

The National Gallery

Available at Amazon: Athens, Greece - Art

SPOTLIGHT ON GYSIS:

NIKOLAOS GYSIS
(1842-1901)

.... JUST BE PREPARED AT ANY POINT IN TIME FOR DEATH WILL SURELY CLAIM ONE'S BEING!

NIKOLAOS GYSIS IS SELECTED BY CCPI TO BE THE FRONTRUNNER OF THE MULTIPLE GRECIAN 'ARTISTS' WHO ARE CREATING 'ARTWORKS' FOR ALL TIMES. This masterful 'Artist' demonstrates the tenacity, vigor, guts and power of a free will to live, live, live out the magic through his artistry. We have presented in this newsletter his imagination for encouragement to all 'Artists' to never cease nor desist to produce a body of work for generations to partake, enjoy and learn about what it is to BE!

Boy with Cherries

LIFE'S continuum formulates the formless forming forms of universal unfoldment here and now as 'HUMAN BEINGS' LIVING IN THE RUINS OF CIVILIZATION'S GENERATING GENERATIONS TIME AND TIME AGAIN DURING 'THE EVOLUTIONARY EXPRESSIONISM OF LIFE ENERGY' as expereinced by 'ALL THAT IS.' Every body must not be belabored to point out the way in man's state of denial but break through the barriers to new grounds for the awakening of consciousness which exposes the eternal soul of BEING!

Liberal Arts And The Spirits

The infinite portals available to view the creative process are astounding. The all seeing eye never fails to reveal truth of truth itself, that One 'Artist' reflects all 'Artists' as ONE! The dynamics of consciousness flowing through 'Artists' is mesmerizing beyond belief! This is one profound reason why belief isn't a significant quality and/or character attribute to gage an 'Artist's' work of arts. Time is interwoven into the living examples provided to stimulate, encourage and inspire the creative mind to excel continuously.

The Barber [2]

Nikolaos [Nicolas] Gysis [Gyzes] as presented here is a Greek painter, born in Tinos, Greece, died in Munich, Germany during a lifetime cycle (1842-1901). The evolutionary expressions of his life energy caused him to study at the School of Arts in Athens, Greece (1853-1864) and at the akademie der Bildenden Künste in Munich (1865-1871), where a professorship emerged from his endeavors (1882), which prevented his return to Greece indefinitely.

Cards

Cards

Nikolaos, lived and worked in Munich successfully with the undercurrent intuition that he probably wouldn't find the suitable conditions in Greece as he found in the Bavarian Capital. When reveiwing the historical data of this kindred spirit it is discovered that the magnetism of Gysis' personality brought forth and undoubtedly attracted other Greek 'Artists' of his time to study, work and live in the environs of the Germanic Art World without artistic restraint but a burning flame to arouse the insight and wisdom of a suppressed society.

Portrait

Nikolaos Gysis is a phenomenon. His 'ArtWorks' captures infinite subject matters infused by the Greek influence and lifestyle of the times. The precision, accuracy and effective display of his creative capacity was slightly affected by the rigidity and academic clutches of Munich's apprehension and leadership suppression of freedom. It was Nikolaos Gysis' magical talents and magnetic persona as an 'Artist' that captured the essence of spirit awakened in the revolutionary pulse then taking place in the Arts of Munich.

Artemis

Artemis

The self-portraits, as well as the 'Artist's Wife, Son and Daughter' paintings influenced by the fin desiècle mood [undefined mood], for about 20 years of his life inspired Gysis to plunge into the depth and soul of mythological and religious allegorical motifs, emphasizing an intensified mystical, symbolistic subjective fervor of 'HUMAN' existence within this universe. The variety of his subject matters are creatively enriched and complex with particular interest with mankind setting in an ordinary environment, however, this propelled the impetus to harmonize the 'HUMAN' figures in idealized settings as well.

Learning By Heart

The Munich School of Artists of the 19th Century graduated the genre paintings of similarity which became encompassed by Nicholaos Gysis' unique embrace and artistic flare of Greek and Oriental cultural integration into his 'ArtWorks'. The central motif of Gysis' genre paintings are the multiple facets of family life. The revelations shown in the 'ArtWorks' indicate lack of interest in rendering an harmonious existence of a happy family, depending on particular events associated with the life lived of that time. The focus is on the emotional world of the child from A to Z. The children of all ages are depicted in his 'ArtWorks' as the point of 'HUMAN' evolution with a specific focal point of inference revealing society's less respectable leaders during that era.

Little Girl

The interpretive premise used to decipher the intricacies of a genius at work helps regulate the pendulum of time's masterful 'Artists' such as Nikolaos Gysis who wasn't interested in the situation comedies of central character figures producing tragedy or achieving a composition of different character types surrounding a protagonist in some particularly prestigious place, thereby, depicting a scene in colors so vivid and lively as to distort the true perspective of intent and purpose.

Spring Symphony

There is a tremendous amount of information to be conveyed during the life and times of Nikolaos Gysis as one of many 'Artists' who specialized in understanding the impact 'HUMAN' existence undergoes because of circumstances, situations and general governance of a population. Like many 'Artists' of all times turned to comparative analysis of the civilization they are a part of, so did Gysis turn to the Greek genre painting to uncover the turmoil experienced by the Turkish occupation of his homeland, Athens, Greece. The success of his attempt to introduce the mythological and allegorical subjects via compositions for posters, diplomas, medals and magazine frontispieces show the female figures seated and surrounded by children. The best known of these are History, Harmony, Fame etc. In the various phases of the subject “ Foundation of Faith/ Triumph of Religion”, Good is represented by an angel and Evil, if not symbolized by a snake, is represented by a powerful male figure, always moving in such a way that its face remains invisible but its shoulder and back muscles are conspicuous.

At The Tavern

It is stated that music also played an important role in the work of Gysis. The 'Artists' tend to listen to music which inspires the free spirit to soar and dance the cosmic movements into a conjured manifestation of infinite expressions from the eternal. In a letter to Nikolaos Nazos on 7th April 1875, Nikolaos Gysis writes: “ How poor a thing is the painter compared to the poet! I could be born again I should be a poet and musician.” The intergration point of the cosmic sound is adhered to and the result is impeccable by the masterful 'Artists', who by ... THE CHURNING OF THE THE CREATIVE JUICES FLOW AND FLOOD THE MIND'S EYE WITH POWERFUL IMAGINATION CAPITULATING POCKETS OF UNIVERSAL ENERGY INTO 'HUMAN' EXPRESSION TO THE SOUND OF ARTISTIC POETIC MUSIC OF THE MASTERFUL PAINTERS, AND SUCH IS NIKOLAOS GYSIS, NOW AND FOREVER NOW, A BIOGRAPHICAL FOOTNOTE IN THE ANNALS OF TIME...

Zeybek

Zeybek

1842- Birth of Nikolaos Gysis in Sklavochori, Tinos, to Onoufrio and Margarita, nee Psalti.
1850- Removal of Family to Athens. Gysis attends classes at the Polytechnic School, without officially registering as a student.
1854/1864- Studies at the School of Arts.
1865- Scholarship from the Holy Foundation of the Evangelist of Tinos to study in Munich, secured by the efforts of Nikolaos Nazos. Arrival in Munich, registration at the Academy of fine Arts.
1872/74- First visit to Greece after studies in Munich. Construction of studio at father’s home in Athens.
1873- Summer Educational trip to Asia Minor with Nikiphoros Lytras.
1874- Return to Munich
1876- Engagement to Artemis Nazos.
1877- Wedding to Artemis Nazos.
1879- Birth o daughter Penelope. Participation in 2nd International Artistic Exhibition at the Glaspalast.
1880- Honorary membership of Munich Academy of Gine Arts.
1881- Birth of Daughter Margarita. First participation in Greek exhibition.
1882- Participation in Exhibition in Vienna. Participation in Exhibition in Nuremberg. Assistant Professorship at Academy of Fine Arts in Munich.
1883- Membership of Committee of International Exhibition at Glaspalast and participation in exhibition.
1884- Birth of son Telemachos.
1887- Participation in exhibition in Vienna.
1888- Particiopation in 3rd International Artistic exhibition at glaspalast and design of poster for exhibition. Regular Professorship at Munich Academy of Fine Arts. Participation in 4th Olympia at Zappeion.
1889- Participation in exhibition at Zappeion.
1890- Birth of daughter Iphigeneia. Participation in 2nd Annual Exhibition at Glaspalast.
1901- Death of Nikolaos Gysis. Exhibition of works by Gysis.

AND THE SPIRIT DEPARTS THE BODY AS THE 'ARTIST' RISES OUT OF THE RUINS FOR ANOTHER GENERATION...!

Links:
Palentaworld.org

Culture.gr

Available at Amazon: Nikolaos Gysis

LIBERATION DAYS!

"Dancer at the Barre"
Edgar Degas
(1834-1917)

Amazon Books: Degas

I am never alone, never lonely, for I have as companions and friends those people who are drawn to me by the ever-active and immutable Law of Attraction. I desire to be loved, therefore, I allow myself to love greatly, to feel warmly inclined toward people; to be interested in them and helpful on their behalf. I give as I wish to receive. it is not enough that I profess to love people. I must really love people, more dearly than I have ever loved before, because all men are my brothers. I do not outline who shall be m y friends and companions, for there is no desire to coerce, compel or suggest to anyone.

The Law of Attraction brings into contract and relationship with me all those people in whose company I find the greatest profit and enjoy ment and to who I may give the most. I am happy and radiant, for I enjoy at all times perfect companionship. I trust implicitly the Law of Attraction to bring into my environment and atmosphere friends and loved ones, and establish for me a community of interest and helpfulness. As I love and co-operate with my fellowman, so does he love me and give his co-operation to me. I am happy in all of my companionships and relationships, because they are worked out perfectly by the law, and the Law is motivated to work for me BY MY LOVE FOR PEOPLE. My Loving Thoughts of Others Attracts Friends to Me

– Ernest Holmes

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Evolutionary Expression

Masks Forged Of Fire, 1994.

Poetry #125

THE UNKNOWN IS...

Rehearsal arrived
Changing, making
Down to rest, meditate,
Decide saying,
Referencing call it
To exchange love briefly
In the mirror,
And asked greater direction
In applying the energies
Of learning, unfolding
With greater consciousness,
Motivation, opening,
Accomplishing in efforts
Greater focus as well.
Know the moment to be,
And do each day love
Meet, work the job,
The expression to decide
In response to dilemma
Memory.

The unknown is
There to step from cliff
And rock stone appears
Grows beneath ones feet.
At times it is
A challenge in stepping,
As ones experience difficulties
Fences, not leaving,
Without another period
Financial earnings
Borrowed funds
Rent to return.
Yet happy to be able
To fulfill the days doing
What must
What can
Detachment from the
Environment that seems
To be a shadow land.

Restriction rules
The fear base structure
The concepts of security
Cling to vibrational qualities
Of those elements dynamics
Seems a prison of minds
And spirits for the residents
There....the ideas
Permanent religions learned
As man made limitations
That bind rather than free
The spirit of the people
Passing through draining
Rebound simply with natural
Response in the character
Of being.

See changes coming and trust
Unfoldment brings wonderful
Openings in creative abundance
Will shift attention
Yes a shift of attention,
Many times.
Thought of the shifts of forms,
Where in excitement flicker
Through various forms finally
Setting momentarily into a
Particular image of whatever
Age, sex, century that would
Best serve the purpose
In communications imagination
Whatever would be happening
Focused upon
In the dimension through passing.

See information a reference
At the time applied.
Chatted a bit about job, people,
Psychic structures, all of which
Must relate to something at this
Point in the journey...
All related no doubt to the
Passing through prior
Conversation
Image of,
Cell of,
Frame of,
The 2D expanded to 3D
Reality dealing with the residents
Not the rules of the reality
That one seems to need to adjust
To live by
Within it,
But altering by ones
Presence through it,
Bringing an opening
Just by the passage
So long as one remains detached
Not caught by the rules
Of the games
In the frames!

Film so many seconds give
The illusion based
Upon the motion it captures
In the travel place to place
Where the movement in space
One creates
A form and a form disappears
Where one had moved from.
Seeing the gap between
The series
The animation
The illusion
The frequency
Altered realities,
Dimensions with some
Sense of holding back, or perhaps
Not open to the freedom
Of the happening,
Mental activity questions results
Where ones sense of centeredness
Is shaken which give good
Feelings preparing to share
The past
Arrives rehearsal
Scheduled time
Caught now
Approaching
The sleep cycle ahead.

By JV Harvey

Emerson's Writing

REPRESENTATIVE MEN
From Uses Of Great Men, 1849

"Parthenon Figure"

E-MAIL ART CARDS

Send An Art Card
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"They Who Have Nothing To Lose"
Pavel Filonov
(1883 - 1941)

THE KATRINA/WILMA/PAKISTAN EARTHQUAKE, ETC., ALL REVELATIONS FOR CIVILIZATION

'To The Transcendent Spirits of the
Flowering Consciousness'

"If life is good, then death which is the necessary part of life, is good as well. Real life exists only in the present. The future has no meaning. The purpose of real life is to fulfill the law of God, which exists eternally: it always existed, it exists now, and it always will exist. Do not bother about what will happen someday, somewhere, in the far away distance, in a future time; think and be very attentive to what happens now, here, in this place." - John Ruskin

Appreciation & Gratitude

We sincerely appreciate all the contributions on every level in support of our efforts to collectively bring about joy, happiness, loving-kindness, peace and goodwill to all of Human Kind. Now is the time and the time is eternally now to give thanks, for the whole of creation to continuously bring about an harmonious convergence for the sake of humanity.

"Autumn Leaves"

Thanks to every one of you individually in our cyberspace community for the constant inspiration, insight, encouragement, support, interest, inquiry, purchases and/or financial contributions to the work of 'The Evolutionary Expressionism of Life Energy' ArtWorks/Poetry by JV Harvey and Colveyco CPI. We are overjoyed to increase public awareness for visitors, patrons, collectors, curators, connoisseurs of Art, to view our Virtual Art Gallery Series and affiliate Artist's Sites in addition to attending Art Exhibition Shows/Events around the world.

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We 'artists' project images into the mirror and receive the echo's vibrational voice to do without the attachment to illusions and thereby embrace the reality in truth, honesty and integrity. When we do that which we know to do, the impeccable character of 'human' nature softens the edges and delights in being divine. we are responsible for awakening. We are not concerned and/or distracted by the constructed world to do things we are not responsible for, therefore hither we are to produce expertise and brilliance infinitely emerging from the abyss to the forefront of everything we do! The metaphorical death of life's living images reflecting experiences through it's time capsule forms are reassuring, comforting and encouraging. what is visible is invisible! The universal sphere of times timelessness regulates 'the evolutionary expressionism of life energy... and so it is now and forever now that we live life! We are never to be deceived by surface appearance of anything without looking way down under into the 'human's' psyche where truth sets one free of illusion's grasp.

Everything is virtually happening in this universe whether we are conscious of it or not. The inevitability in the wake of universal storms encompassing the visual zone of a 'New Orleans' incidentally, as well as life's infinite 'PEOPLES', 'PLACES' AND 'THINGS' throughout the revelatory consciousness of divine spirit during 'The Evolutionary Expressionism of Life Energy' are sublime. We 'Artists' of 'Human Being' play the game of questions and answers, recording all times events recorded on records for an intensified awakening of 'Human' consciousness to proceed naturally. Life energy when suppressed by any individual within the matrix society causes cardboard cutouts figurines to manifest as 'PEOPLE' and forfeit the original inheritance of divine ordination by holding onto illusion's reality. The 'HUMAN' struggles observed by 'Artists', compel one to stop the imposition of guilt, shame, blame and embarrassment as shown during the lifetimes lived living until the curtain call is completely done. The evident is sustained by those departing and entering earth's dominion unexpectedly with full knowledge and innate understanding as if any particular body spirit wouldn't expect to depart the moment the bell tolls for those who lived lives in suffering and misery.

In Julia Cameron's 'A Vein of Gold; A Journey to Your Creative Heart', she states, "The process of creative emergence is a process of energy expansion. Wherever our energy is blocked by denial, the buried emotions to break free so that our creative energies can move into expression. We are not cracking up under the pressure of self-exploration. Instead, we are cracking open a self-concept that has become confining and claustrophobic to our spirit."

Yes! 'Artists', dare to be, no matter what age the rhythms of conformity attempts to dull the individual's spirit of the open mind as 'ONE' evolutionary consciousness. The personal (per-son-al) exchanges of communication enhance the potentiality of kindred spirits to dwell in spacious delight, playing varying parts in this divine comedy with its touch of tragedy for another (an - other) to continue to play many parts within 'The Evolutionary Expressionism of Life Energy.' The imagination of the ages affirm the truth of illusionary reality leading to generations of multidimensional star gates, vacating that which is familiar in order to experience the new and unknown discoveries to be known. We, 'BEINGS', may act like we sacrifice so much and that things are so difficult and inconvenient for 'HUMAN' spirit to do and/or always deal with because of some position taken, but that concept comes out of mental laziness, stubbornness and most importantly resistance to the inevitability of LIFE! The essence of 'BEING' prevails and transcends the delusory clichés of belief systems immersed in patterns of socio-pyscho-eco-political-civilizational illusions produced by the matrix construct called 'The Mind of Man', passing on dualistic behavioral patterns (accepted or rejected) as devastating to the free spirit which is expected to conform to the conformer's depreciation of the 'HUMAN BEING'.

Once again, Julia Cameron touches upon the truth... "As artists, we are perpetually seeking to penetrate the veil of cultural prescriptions and arrive at personal truth. In order to do this, we need to be brave enough with–and open enough to–our own internal territory that our art can express it. In other words, we must be able to face down shame and choose self-disclosure. This takes courage. All of the tools you are using in the Kingdom of Story involve finding the courage to speak our own truth."

Everything is designed to come and go through the process of Life's living Life! The Life's perfection of Imperfection and there isn't anything to stop and/or control it's transformative powers. We are the 'ONE'. There isn't any duality in reality but in illusion it may reside. When this is understood, there isn't any discussion, debate, care and/or concern when nature commands. WE 'ARTISTS' STOP! LOOK! AND LISTEN VERY ATTENTIVELY TO VOICE RINGING CHANGE, CHANGE, CHANGE AND NEVER PERISH! Oh, yes, it is this period of time to inflect reflection on the timeless essence of 'HUMAN BEING' within this universe creating throughout the aging ages, to reveal by example the truth of an impeccable, honorable and nobel 'HUMAN' existence. The creative powers of that which is manifesting 'ALL THAT IS' flows and is experienced within this illusion of reality at work.
Everybody has the exact same constructed twenty-four hours in a day to live the life cycle as one experiences it! The varying environmental qualities/elements surrounding one's personage is temporal by nature, therefore, one must not delude oneself that there is opposition when nature commands the involution evolution to expand its boundaries beyond all boundaries it creates. NOW, WE MUST
PROGRESS...

Beloved 'Artists', 'Tis not without a cause but a purpose that we do this thing LIFE!' The assumption is YOU want ME to accept whatever YOU do at MY own expense by forfeiting MY life for YOU to do whatever YOU want to do with MY life? Words, Words, Words, what beautiful symbols of creative thought manifested via words for definitive meanings for a meaningless existence filled with meaning. Language seems to always befuddle its conceptual mind, implying misinterpretations and/or miscalculations of the actual effects generating life's causes regarding the socio-economic-political holocaustal slaughterhouse constructed from the abyss of mental consummation enslaving the 'HUMAN' race consciousness in the name of 'BELIEF' for the 'PEOPLE' population. We are not people, 'PEOPLE', we are 'HUMAN' Beings and no one in divide as a 'PEOPLE' rules over an other in divide for the whole species of 'HUMANITY' to 'BE'. The hysterical condemnations of that which is condoned as 'PEOPLE' by a superficial society's societies society leading ships into the wailing storms of ambitious greed and supremacy in the name of the 'FATHER' creator is anticlimactic. The heretical application thereby determined by heretic derivation for standing alone (AL - ONE), instead of separate, is exposed. It isn't the world that is important (importing) but the essence of 'ALL THAT IS' called the UNKNOWN, KNOWN, THAT IS UNKNOWN! PEACE! BE STILL, AND SEE THE HAND AT PLAY!

The artistic 'HUMAN' quest goes on and on beyond it's given answers of accumulated knowledge in pursuit of the same answers given to the same questions, and so it is nature's command to encompass dimensional cycles of learning according to the capacity of the masterful understanding of what it is to be master of THYSELF! The 'Artists' are not always challenged to integrate reasoning, rationale and logic into wisdom and understanding for the knowledgeable entities who claim supremacy as the gatekeepers of the freedom seal for 'HUMANITIES' voyage across the universe. The presumed ignorant counterparts to the knowledgeable who relinquish their intelligence for the superficial misuse and misdirection of 'HUMANITY' incites confusion and mayhem in the mind of being 'HUMAN'.

Every spiritually inhabited body is leaning to the left while falling to the right, leaning to the right while falling to the left, but maintaining the central focal point of 'ALL THAT IS', without consciously being unconscious to a potential awakened state of enlightenment continuously here and now... WE, AS BEINGS, ARE 'THE CREATORS WITHIN CREATION'S FIELD OF ENERGY' CONSTANTLY BRINGING FORTH ALL MANNER OF CONCEPTUAL DUALITY VIA EXTERNAL EXPRESSIONS FROM THE INTERNAL NATURE OF BEING 'HUMAN' FOR EXPLORATION, INVESTIGATION AND DISCOVERY OF SPIRITUAL EXISTENCE WITHIN TIME'S TIMELESS SPACE. THE EVIDENCE OF THIS PERSONIFIED POWER IS NOW READING THIS VERY TRANSMISSION OF THOUGHT RIGHT HERE AND RIGHT NOW. IT IS THE INFINITE INTELLIGENCE OF THE ONE ASPECTED INDIVIDUAL (ONE SPIRIT IN DIVIDE) GOING BEYOND ALL LIMITATIONS, RESTRICTIONS, CONSTRICTIONS AND SEPARATIONS THAT EXPOSES THE WEAK DISPLAY THROUGH MAN'S AGGRESSION, DISMISSING THE 'HU' OF NATURE. THE STRENGTH OF 'HUMAN' CHARACTER SURGES FORTH THROUGH OPEN CHANNELS OF CREATIVITY WHEN THE TOTAL 'HUMAN BEING' IS PRESENT!

The 'Artists' understanding that the processes of life are omnipresent (al-one) is a great accomplishment for the free spirit. WORDS! Words are extraordinary symbols that point towards the opening through which more words resound the essence of truth as we fester in imagination the repetitive languages used to enhance the universal consciousness of which we have obtained in order to proceed in the dream state with or without ignorance. It's not that we think too highly of ourselves, it's just that 'PEOPLE' think so low of themselves, enough so to try to bring the 'Artists', the being 'HUMAN', down to reside in egoist pettiness in hopes to build themselves up as a superior to an inferior. Of course, we may say, 'IT'S NO BIG DEAL' and this is true. What is this pettiness of the 'Big Deal' of which we say its not? It's the denial of all things we know that produces greatness over pettiness in the first place. We, 'Artists,' do not belong to any classes of 'PEOPLE', nor do we possess anything of this earth, but come to inspire the whole of our specie as 'HUMAN BEINGS' of the divine ordination within creation. The powerful mission undertaken through artistic endeavors is divinely orchestrated to heighten the awakened universal one mind to free all captive 'PEOPLE' from the identity crisis: the 'PEOPLE' leading lives in quiet desperation and spiritual annihilation within the matrix reality. The very fact that we are one voice sounding in multitudinous forms as creative expressions during the 'HUMAN' evolutionary process of life's energy is and must be an essential demonstration of the divine. Otherwise, creativity would not exist as if it doesn't exist. When 'ONE' is what one is, 'ONE' doesn't have to 'BECOME' any more what, for 'ONE' is 'BEING' guided under nature's command of 'LIFE' to just BE!

Once again, how do we do this which we know to do? DETACHMENT! The conscious practice of senility may help elevate to pressures of tradition's dual purposes incited by delusion's illusion of reality, the distorted precepts of mental illness arousing passions of damnation for all times. This approach is a possible channel to remember everything which is essential; for trying to remember everything will drive one senile, encouraging one to repeat the repeats of history. There isn't anything of which we 'Artists' intake from the 'HUMAN' world environment surrounding the nuclei of the conscious mind, encapsulated by the super conscious mind, without a deliberate intention to produce a specific purpose for explanation to dissolve its justification for duality's causes and effects to battle unto death. Although the worldly consumption of information is immense, the digestive system for mental processing regarding data entry is going defunct and a new program is being written of 'HUMANITY'. Well, one sees what one sees when one seizes it! The archaic information overload for decades complicating the simplicity of 'HUMAN' existence has attempted to damn, back-up and block the canals from overflowing with all manner of devices and diversified concepts to destroy the clarity of the essential use of the one universal mind efficiently and effectively.

We can always find fault in others that we deny we have in ourselves, which invariably shows that others are ourselves regardless of superficial status, categories, positions, etc. We, 'Artists' have nothing to do with it! The mind is what it is! 'I AM' THAT 'I AM'... therefore, the fault in blocking everything potentially great, wonderful and innovative for the whole of 'HUMANITY' lies within ourselves. One has spent all of one's lifetime willing and dealing the visibly hidden resources extracted from recounting the past of an unknown future which apparently must be known in order to save-up life's resources for a future's future past causes and effects. Why? Security of course, the superficial ideal of safety developed by fear of the future's present experience here and now. 'I'M' scared to DEATH! THE REALITY CONSTRUCTED BY 'PEOPLE' COMPOSING A 'SOCIETY' HAS PROVEN THAT ALL PRESUMED AUTHORITATIVE FIGURES ARE REFUSING TO BE FOUND HELPLESS, HOPELESS AND VULNERABLE!

The Vein of Gold affirms, "Creativity is safe. We don't need a license to practice it. Experts are lovely and know an enormous amount about theory and are very good in their place, but we are all created equal, and the operative word here is "created." God is the Great Creator, and we are all safe when we are practicing our spiritual inheritance. We are not meant to think of our creativity as some wild and savage beast caged in our subconscious. That's part of the cultural mythology that has robbed us of our birthright as creative beings. No, the idea of being an artist isn't an act of ego. In our culture, it's an act of surrender: "Okay, okay, I'll risk it." The ego wants us not to write or paint or dance or act– or to do that thing perfectly. That, of course, is impossible, and so often we are afraid to do it all."

Being used up as 'ONE', one is using up every natural resource to survive surviving survival whether with family, friends, foe and/or animals is redundancy deluxe. However, from a universal perspective, what a fantastic awakening to realize the delusion assumed as "MY OWN SURVIVAL" mentality, over, above and beyond all other creatures, for we know this to be most definitely untrue. We are 'ONE', not 'TWO', field of energy. The absurdity and ridiculousness to ascertain a dimensional collapse or division for this normalcy of 'HUMANITY' without conscious awareness obliterating any deception is painful. This ideal isn't executed by the universal laws of nature but imposed by the specie of 'Mankind.' The societal things pulling on one's life energy to manage and pursue things that have nothing to do with one's creative freedom and space, but entraps one's essence in concepts to someday gain through an extensive payment plan the commodity of joy and happiness as a reward is insanity, sanely acted upon. We 'Artists' do and must continue to die, unplug and disconnect from the matrix within the matrix of illusion's delusions which is a blessing supreme. The cycle is broken, nature has reclaimed its lands and 'I AM' divorced from everything standardized as the societal way of life.

The eye's 'I' finally sees the deception revealed through the open 'EYE' of the universal storms arousing and constantly showing 'Mankind's ill capability to handle the simplest of task, excluding the 'HU' during this 'MAN'... made, '9-11 NEW ORLEANS TEXAS MASSACRE MASQUERADE' of the 'PEOPLE' by the 'PEOPLE' for the 'PEOPLE' under the chaotic and callous governance of intellectual superiority dowsed in perpetual egoistical pursuit for power and prestige against life. WE MUST BE PREPARED TO DIE FROM ALL THAT WE BELIEVE IN ORDER TO LIVE! LIVE! LIVE! Pursuing what one already has dismisses the fact that one already has it... LIGHT, LOVE, COMPASSION AND KINDNESS! When the so called major disasters natural and/or unnatural intrude upon the mediocre pacing and/or progression of the daily grind of 'HUMAN' existence which slovenly and sluggishly functions disfunctionally in the world construct of mental, emotional and psychological dilemma, we do panic! We forgot everything created is impermanent. We cling on tightly to the upset with a private, revengeful and maddening vendetta. We invigorate rage, malice, hate and self pity by the shear excitement of feathers being ruffled in the arena where oppositions manipulate a pounding down upon the helpless, hopeless, impoverish soul's of 'HUMANITY'.

When one, 'Artists', doesn't know what to do, or how to use what one knows to do, one starts doing all sorts of things to cover-up, hide and/or avoid the truth of one's actions by doing anything and everything instead of facing the facts that one is doing nothing. The inaction immediately shows the action to be taken in every situation or circumstance unlike the previously repetitive actions rendering the same causes and effects. When intelligence is the guiding force directing the intellect out of it's dualistic status, protest ceases and desists and all is harmonious within the kingdom planet earth. Yes, everything we do is perfect! PERFECT for discovering transcension of selfishness of the self identity into selflessness. It is done when we do it, then we needn't do again, but we are blindly being drawn to repeat what we have done out of a love for fear of losing something of which generation after generation we have discovered doesn't even exist, real chaos and confusion!

It is the stillness of mind at the center of the ocean's depth which demonstrates the masterful handling of the turbulent waters gone awry upon the surface as a disrupted display of harmonious convergence of mind, body, soul and spirit modality. We, 'Artists' are privy to the experiences necessary to release and let go when summoned from on high to remember the temporal impermanent manifestations of the reality' s illusions. Once again, the transmission of essence through words capsulate the infinite meanings for interpretation to interject a focused intent and purpose in the creative works of the planetary habitants. No man is an island, no man stands alone, therefore we can embrace the whole of 'HUMAN BEING' and stop producing unnecessary hardships out of stubbornness to simply surrender. We must stop resisting the signs written on the wall. We, kindred spirits, haven't written a newsletter for while because we live the essence of what we've written so vivaciously; senility sets in and we become overjoyed. It is this very reason, since we are the reason, if there is a reason for writing at all this continued testimony for LIFE! NOW, 'ONE' mustn't stay or linger too long in silent retreat as we know, otherwise the natives will get restless and destroy the universal villages living in peace. Importing mind out of matter or matter out of mind is wonderful. It only becomes a problem when 'MIND OVER MATTER' assumes egotistical importance and dominates with a relevance and significance of attachment to control.

'The Evolutionary Expressionism of Life Energy', itself is the only essence we know in this unfolding universe encompassing 'ALL CREATED THINGS THEREIN CREATING CREATION TIME AND AGAIN, AND AGAIN...' WE KNOW WE MUST LIVE AND DIE IN THE FLESH SIMULTANEOUSLY AND SYNCHRONISTICALLY, SO WHAT IS THE HOOPLA ABOUT REGARDING THE UNIVERSAL TRANSFORMATIONS COMING AND GOING FROM THIS PLANET EARTH? WE'VE BEEN DOING IT SINCE THE BEGINNING OF ENDING'S BEGINNINGS. IT IS A FACT THAT WE DO NOT THINK OF 'HUMAN BEINGS' BUT 'PEOPLE' VS 'PEOPLE' MENTALITY AGAINST EVERYTHING NATURAL, INFINITE AND YES! OF COURSE, THIS IS AN ALL ABOUT ME - DEMENTIA! We, 'Artists,' are told we don't listen a lot of the times, that clouds surrounds the head and what we advocate isn't the real world, that we are missing it! Well, this is true, but has anybody considered that a lot of things aren't worth the listening to in the illusionary real world? We must let the world cup of poisonous dissension pass away from the inner space where freedom resides without attachments of any kind. We can watch the movie saga without taking it on as the way of living life. We, Artists' are not to be persuaded, manipulated and convinced by anything when we know what is innately true, clear and simple.

One doesn't compare oneself with any aspects of oneself, since everybody is oneself, 'LOVE THY NEIGHBOR AS THY SELF', and see just how much one is the same 'ONE' as thy neighbor. When we speak from the heart it invokes compassion, loving-kindness and peace in mind. There aren't any opinions, approaches, methods and/or techniques held onto that would oppress, dismiss, oppose another's point of view for there is only one view point with infinite windows to see through the mind's eye; even the inclusiveness of the world of illusion is important. Silence where there is noise all the way around eliminates entrapments engaging one's mind to dual, to argue, to disagree and to fight for the right to be wronged rightly so in order to be rightly wronged. The worldly life isn't complicated, it's transitional upon the earth. The 'HUMAN' who is wise in knowledge of this world walks upon the foundation of the surface planet with dignity, honor and appreciation for the many blessings it gives to the infinite worlds residing here and now. The earth is now free of worldly trappings based upon superficial obligations and commitments. We, 'HUMANS', 'ARTISTS', all need innate guidance and continuous universal understanding of the supreme nature to live in the constructed world of illusions and not 'BECOME' of it! THIS IS THE TOTAL FREEDOM FROM FREEDOM TO 'BE' FREE OF ALL THINGS WHILE LIVING IN ALL THINGS!

The matrix construct is the construct of the mind. The mechanicals are out of sync with the 'HUMAN' nature. The changes are happening. There is only one way: release, let go and allow nature to take it's course, therefore, 'HUMAN' and/or otherwise 'ALL THINGS CREATED MUST COME TO PASS'. The investments yielding massive earnings through begging, borrowing and stealing as hurricane 'KATRINA' proved will succumb to the integration point of a single stroke of genius across the canvas of worldly dominion into oblivion. We must, as 'ONE' integrated universal consciousness, align the tumblers to equalize the fray of the universal use through a profound understanding of 'The Evolutionary Expressionism of Life Energy, consciously and deliberately, to move into the dimensional zones of transition with ease and grace. IT IS HAPPENING FOR LIFE'S INFINITY! IT IS HUMAN BEING'S NATURE TO BE THAT WHICH BEING HUMAN IS...DIVINE SPIRIT IN MULTIPLE FORMS...POPPING INTO AND OUT OF EXISTENCE! The enriched experiences of artistic freedom penetrates the poverty stricken consciousness of being 'HUMAN' here and now. The pain and suffering isn't taken on any more by courageous individuals living in the world's worldly clasping of consistent and ambitious tragic endings for the whole of 'HUMANITY' to repeat. We do not have to accept nor reject the pain body given to generations for generation any longer, NO! The EYE, 'I', AS ONE, DO NOT SEE A PAINED BODY, NEITHER WILL 'I', AS ONE, TAKE ON AND/OR CONTINUE TO CULTIVATE SUCH A DEFORMITY OF A PAINFUL BODY.

At last, 'Artists', we are provided with daily opportunities to witness the 'HUMAN' drama, a passion play of crucifying resurrecting cycles of extensive repetition. There isn't any passion at all in a crucifying cycle, therefore, the resolve is to 'BE' in another play within 'The Evolutionary Expressionism of Life Energy', a play with a specific way to transcend its transcendence out of the muck and mire of duality's creative experimentation. The cliché associations with the greatest story ever told prevents any divine experiences to happen for most 'PEOPLE', who deny their 'HUMAN BEING'. OH DIVINE SPIRITS... CREATE! CREATE! CREATE! MASTERPIECES! The exceptional qualities of 'HUMAN' creativeness that can produce a masterful presentation of the specie are compromised by these cycles which must be integrated into a new play, a divine comedy, without any repetition of tragedy, with a profound basis for revelations to occur . The 'HUMAN BEINGS' of today are to be moved to greater heights in freedom through MAGNIFICENT PIECES OF ART. When the magic and/or mystical moments are jeopardized by the weight of the world's depression to remain oppressed for lack of specific direction, invariably the veil of darkness falls. We still are ending up in the ditch. We, 'Artists' must be inspiring and never compete, its a waste of life energy.

The 'HUMAN' images, holographically designed are continuously fading into oblivion's domain only to reassert it's power of life energy into another virtual reality of 'Human' existence. EVERY BODY MUST INEVITABLY TRANSFORM... THEREFORE, DEATH IS THE HAND MAIDEN TO LIFE!
In order to die, one must live and in order to live one must die infinitely... And so it is... Remember, every per-son-age of the the divine is eternally free from the surface experiences of the matrix reality, ultimately when detachment is adhered to as the way of living life, as life is living. All art is translucent. The examples are innumerable by nature's demonstrations that the whole of the world manifestations extracted from the earth are covered over with the universal light from within time's fleeting illusions. It is at the top of every hill at the foot of every mountain to be climbed that 'FREEDOM RINGS'. The intelligence of the natural mind surpasses learned thought patterns, unlayering verse, the play, of life to seize the day by looking at things in a different way. The 'Artists' knows that 'NOW' is more than a word, it is the action within words that dissolves the concepts of 'PEOPLE' vs 'PEOPLE' creating miserable lives by indoctrinating more 'PEOPLE' to reproduce misery for the whole of 'HUMANITY' to experience suffering.

The 'Artists' must remember that ultimately material matter doesn't matter at all. We, 'Artists', haven't any story to tell when presently we are creating the story being told - in trust of life living life is far greater than it will read to those who will review once upon a time as we decease like so many noble souls come and gone before . When 'ONE' has found that seeking can cease and desist as time has passed and impermanence prevails as the highest echelon of humankind transcends the baseline for those considered below it to rise to the true heights of divinity. We all want to be loved or we all want to experience what unconditional love is... We, 'Artists', don't interfere with another's per-son-age in life, just allow freedom to be freed through major 'ARTWORKS'.

One of the biggest challenges facing 'Artists' of today with being helpful to 'PEOPLE' or what we may consider to be helpful is that no body wants to be helped! We keep thinking as 'HUMANS' that we can do things for 'PEOPLE' that we apparently can't do for ourselves, which invariably leads us to finding out that we are the 'PEOPLE' incognito, hiding from being 'HUMAN'. We, 'Artists' are the trust that is worthy of the kingdom spread upon the earth. We are not to be afraid of the 'ME' (EGO) identity anymore; We are the greatest teachers, teaching ourselves to live that which we know in this incredible universe as truth, therefore, enough is enough! The being 'HUMAN' possibilities are endless...

The earth's undercurrent plate tectonics has surfaced a gyration experienced by 80,000+ kindred spirits residing in the Pakistani region recently, who have transcended the earth's plane. The enumerable atrocities happening in the 'HUMAN' world today are reminders of the impermanence of it all. Denial is obsolete. Truth is absolute! And Being 'HUMAN' is a blessing supreme upon this sojourn of continuous evolution within this universe. The baby lamb is ripped from it's mother's womb to be served and processed into excrement for the sycophants of mortality who hunger onward for the things to be completed, however, we affirm infinities precognition for the whole of creation to transcend into super consciousness through the integration of masterful 'ARTWORKS' exhibited for the awakening of the 'HUMAN' insight and immorality.

....John J. Steven Cole

JJSC

"As soon as you go into the future or the past, you go away from God, and you feel lonely, deserted, and enslaved. The future does not really exist. It is created by us in the present. There is a condition in which a person feels himself the architect of his life. It occurs when he concentrates all his efforts and all his intellect on the present moment." – Leo Tolstoy

Books of Great Insight and Wisdom

THE PSYCHO-ANALYSIS OF ARTISTIC VISION AND HEARING
by Anton Ehrenzweig
PHILOSOPHY IN A NEW KEY; A Study in the Symbolism of Rason, Rite and Art
by Susanne K. Langer
ART AND PSYCHOANALYSIS
by Laurie Schneider Adams
TO HELL WITH CULTURE
by Herbert Read
SUPPRESSED MADNESS OF SANE MEN
by Marion Milner
LIFE, PAINT, AND PASSION: RECLAIMING THE MAGIC OF SPONTANEOUS EXPRESSION
by Michell Cassou and Stewart Cubley
WRITING DOWN THE BONES‚FREEING THE WRITER WITHIN
by Natalie Goldberg

[Available through CCPI-Booklist]

Click the Door to the Reading Room

William Blake 1757-1827
Jerusalem Plate 31

News Bulletin

Announcements

CONGRATULATIONS NANCY LEGERE FOR INFINITE DAYS OF BIRTH!

Places, People & Things Forthcoming & Ongoing:

CREATIVE WORKSHOPS FOR LIFE!
LECTURES/SEMINARS/WORKSHOPS/CLASSES

"The Evolutionary Expressionism
Of Life Energy!"
Baltimore, Columbia, Maryland;
Washington D.C. Metropolitan Area, 'ACTING BEYOND ACTORS' ACTING!'

ACTING WORKSHOPS/CLASSES
SUMMER/FALL '06 - SIX WEEK SESSIONS

For further information

THE NEVER ENDING DAYS...

We Celebrate'LIFE'S INDEPENDENCE ' as the Earth Children of the Golden Light!

"Parthenon Figure"
Amazon Books: Parthenon

CHAMPION!

The Christ places His hand in the outstretched hand of the Universe, and walks unafraid through life.

Through the long night watches,
His hand clasps mine.
At the break of dawn,
His hand clasps mine.
In the daytime of work and endeavor,
From Eternity to Eternity,
His hand clasps mine.
When time shall have passed,
When Eternities shall be strewn about like falling petals,
And Space and Worlds shall be swallowed up in everlasting blessedness,
His hand clasp mine!

We are never left without a witness of the Eternal, and in our greatest moments‚in those flash-like visions of mystic grandeur‚we know that we are made of eternal stuff, fashioned after a Divine Pattern. - Ernest Holmes, 'The Science of Mind'

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